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Date: 2007-11-30 Author: Roberta Smith Article Mentions
Author, Roberta SmithMentioned, Alexandra Bircken Mentioned, Banks Violette Mentioned, Bill Viola Mentioned, Lisa Phillips Mentioned, Jeff Koons Mentioned, Nate Lowman Mentioned, Richard Tuttle Mentioned, David Salle Mentioned, Laura Hoptman Mentioned, Matthew Barney Mentioned, Richard Flood Mentioned, Shinique Smith Mentioned, Massimiliano Gioni Mentioned, Sam Durant Mentioned, Gedi Sibony Mentioned, Jim Lambie Mentioned, David Weiss Mentioned, Louise Bourgeois Mentioned, Martin Boyce Mentioned, Rachel Harrison Mentioned, Isa Genzken Mentioned, David Hammons Mentioned, Paul McCarthy Mentioned, John Bock Mentioned, Matthew Monahan Mentioned, Manfred Pernice Mentioned, Peter Fischli Mentioned, Franz West Mentioned, Haim Steinbach Mentioned, Art Review Mentioned, MoMA Mentioned, The New York Times Mentioned, The Roots
@import url(http://graphics8.nytimes.com/css/article/screen/print.css); Unmonumental: The Object in the 21st Century - New Museum of Contemporary Art - Art - Review - New York Times var google_hints = "Art,Museums,New+Museum+of+Contemporary+Art"; var google_ad_channel = "ar_arts"; November 30, 2007 Art Review | 'Unmonumental' In Galleries, a Nervy Opening Volley By ROBERTA SMITH Nothing raises expectations or dashes hopes like a new building. When the New Museum of Contemporary Art opens tomorrow in its first built-from-scratch home, it will represent hope fulfilled and be a much more visible element in the always interesting New York museum landscape. Its new building is a stack of neutral, elegantly off-register, no-frills white cubes no...(read more)
... @import url(http://graphics8.nytimes.com/css/article/screen/print.css); Unmonumental: The Object in the 21st Century - New Museum of Contemporary Art - Art - Review - New York Times var google_hints = "Art,Museums,New+Museum+of+Contemporary+Art"; var ...
... with plenty of talent in between. All but a few are western European or North American, which may not quite merit the shows description as international, by todays standards. And the catalogs rationale that the United States and Europe produce the gr ...
... . Almost nothing here needs to be plugged in, and nearly all of it looks on first glance like junk or detritus. One result is a strange combination of save-the-planet zeal and visual consistency: the coherence, say, of the Museum of Modern Arts 1965 ...
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